Scholar Susan Haedicke is Emeritus Reader in Theatre and Performance Studies for the School of Creative Arts, Performance and Media Culture at the University of Warwick in the U.K. She has published extensively on performance in public space, street arts in Europe and democratic participation as well as arts and ecology, and has engaged creatively and theoretically with the work of Friches Théâtre Urbain since 2001.  She has published articles and book chapters on Macbeth, Melgut, vitupErrance, Witness/N14, Lieu Commun, Hope is a Wooded Time and Aroma-Home. Haedicke was dramaturg and co-writer on the 2004 production of Macbeth. She collaborated as academic-dramaturg on Hope is a Wooded Time. In 2013 Susan Haedicke and Sarah Harper collaborated on Grow Warwick –Future Farmscapes and, from 2017-2018, on Who’s Driving the Tractor?, a practice-as-research performance developed as a key case study for Haedicke’s book, Performing Farmscapes (Palgrave Macmillan Cham, 2021).

Haedicke, Susan and Harper, Sarah, ‘Hope is a wooded time : an ecoperformance of biodiversity in discarded geographic and social space’, Performing Ethos: An International Journal of Ethics in Theatre & Performance, Vol 5, No 1/2 (2015), pp. 101118

Susan C. Haedicke, ‘Discomfort at the Intersection of the Imaginary and Everyday Worlds in Friches Théâtre Urbain’s Macbeth for the Street’, Text and Performance Quarterly, Vol 26, No. 3, July 2006, pp. 253 /273

Haedicke, Susan, C., ‘Subversive Imaginaries: Performing the Other’, in Contemporary Street Arts in Europe, Aesthetics and Politics (Basingstoke: Palgrave Macmillan, 2013)

Haedicke, Susan, C., Contemporary Street Arts in Europe: Aesthetics and Politics (Basingstoke: Palgrave Macmillan, 2013)

Haedicke, Susan, C., and Nellhaus, Tobin, Performing Democracy: International Perspectives on Urban Community-based Performance (Anne Arbor: University of Michigan Press, 2001)

Haedicke, Susan C., Performing Farmscapes (Palgrave Macmillan Cham, 2021)